Menu Close

Category: Writing

The Horror Process

First, a disclaimer: Although horror might be my favorite genre, I’m no expert on it.

In fact, a lot of Creepypasta.com readers would say I’m the last person who should try to teach anyone about it.  Two years ago, I wrote a story, a spontaneous rework of a crappypasta, and submitted it to them.  When I’d showed it to friends and posted it on critique sites, the response was universally positive, but when it went up on the site, it tanked, debuting as one of the bottom five stories in its history, and only managing to eke up to 5/10 stars after several days.

As for the comments…  You can see them.  Most of them didn’t bother me too much, since they misinterpreted my intent in writing it, but the one that really caught my eye was the one that described it as a forced attempt to be scary without knowing what that meant.  In hindsight, that was dead on.  I didn’t know how horror worked at the time; I thought it was like any other type of fiction, but with more bad stuff happening.  I had a lot to learn about its unique plotting, atmosphere, and methods of building tension.

This is probably why it fell flat with that particular audience, despite succeeding with others: it works as amateur transgressive fic, but not when presented as horror, and the realistic feel I tried to give it ended up being its biggest problem.  If you look at the plot, it’s just one thing happening, then another, then another, without much continuity between them.  …You know, like real life.  But, also like real life, it doesn’t make for a very good genre story when told as-is.

So, why am I airing out a flop I’m still embarrassed by?  Both so you can learn from my mistakes, and as a”before” for the “after” that is this article.  Since then, I’ve tried my best to learn how it works, and part of my reason for writing this was to collate my own notes into something coherent.

The most important thing I’ve learned is that it seems to follow an identifiable process.  A lot of people have given us clues to this: Stephen King shed some light on it when he talked about the difference between a mere gross-out, the horrifying, and the truly terrifying.  Someone else, I can’t remember who, said horror hits you in the brain, the heart, and the stomach all at once.  Both of these are parts of the “formula,” but now I’m going to try to explain what I believe is the whole.

Read more

Tell Better Stories With Memes

Note: This post is the first in a series of three on writing techniques.  It’ll help you understand the next two, so even if you’re not interested in the topic, least give it a quick skim.

Also, throughout all three, I’ll make a lot of bold-sounding statements about how things work and the reasons behind them. These are just theories: conclusions I’ve jumped to after reading a lot and thinking “All these things seem to do the same thing.”  And I’m not an expert, so don’t take this as gospel.

 


 

The title and page image are intentionally misleading.  This is actually about memes as Dawkins originally defined them: bits of knowledge passed from person to person via word of mouth and various media.

Read more

All About Dialogue

What is dialogue?

“That’s easy: it’s when your characters talk.”

Fair enough.  Technically, there’s nothing wrong with that definition.   But let me tell you a story with which there’s also nothing technically wrong:

Read more